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 ALL ABOUT MIRRORS
Mirrors have been an important - some might even say essential - part of civilization since 6000 BC, when pieces of polished obsidian or other smooth stone, bronze, or copper were used. Today, most mirrors are constructed from plate glass. A reflective coating is applied to the back, composed of a mixture of aluminium or silver, copper, tin, and a paint sealant.

More than just a practical tool for checking one's hair or applying makeup, mirrors have become art pieces in themselves. With ornate frames and strategic placement, they can become the focal point in a room, expand a space, or improve brightness.


SUMMARY

How it's made, and mirror specifics:
  • Glass and other rigid surfaces
  • Metal reflective coatings
  • Thicknesses
  • Frameless hanging options
Mirror Treatments:
  • Edge treatments,
  • Screenprinting
  • Antiqued
  • Safety
  • Front Surface

Decorative Advantages:

  • Light
  • Space
  • Visual enhancement

Ideas and suggestions for incorporating mirrors into your existing decor in any room.

 HOW MIRRORS ARE MADE
An ordinary mirror is made from a pane of glass, the back of which is treated to remove the glass's innate transparency and create a reflection. The amount of light that bounces off a surface is its reflectivity, while the direction the light bounces is its diffusivity. These factors combine to determine the usefulness of the surfaces reflective qualities.

The Glass

While glass is used in most mirrors, it is possible to use other rigid, transparent materials as well, such as plastic polymers. This material is often used for mirrors in children's toys or some inexpensive products. The glass or other substrate can be made in various thicknesses, depending on the intended use of the finished mirror. A thicker glass (1/2" for instance) is less breakable, but will also be heavier than a thinner version (1/4" is very common for household mirrors).

The glass will be moulded or cut into the shape necessary for the mirror, usually using a saw that is coated with diamond dust - this allows the saw to cut this very hard material without wearing out the blade. Then it is sanded to a very smooth finish, in preparation for the coating.

The Coating

Certain metals are known to be very good at reflecting light. The process of "silvering" glass began in the 1600s, and was so called because liquid silver was literally applied to the back of the glass pane. In order to create a flat, undistorted reflection, the glass must be perfectly flat and smooth, and the coating must be evenly applied.

Today, aluminium is a more common metal for the back coating than silver. Other metals such as gold or chrome may be used for special scientific mirrors, and mercury was widely used in the early 1900s until it was determined to be quite toxic. Ultimately, the choice of coating metal is dependent on the intended use. Different metals are suitable for reflecting different wavelengths of light, such as infrared or ultraviolet.

The coating is applied using an evaporator, a large vacuum chamber that supports the glass while melting the metal. The metal is heated to the point of evaporation, at which time these vapors are deposited on the glass. Different temperatures are required for different metals, and the timing must be precise to ensure the correct thickness of metal vapor is applied evenly to the surface.

Depending on how the mirror will be used, additional coatings may be applied to the mirror in a similar manner. For instance, when silver is used, an opaque protective layer is often added to keep the metal from scratching or chipping, and to improve the reflectivity.

Finishing Touches

Once the mirror has been removed from the evaporator, it is ready to be packaged and shipped. Alternately, the edges may be bevelled at this time. This is done by grinding down the glass at the edges of the mirror, and results in a slope that adds dimension to the flat surface. Bevels range from 1/2" to 1-1/2" wide.

 MIRROR SPECIFICS

Rigid Surfaces

  • Silicate glass (made from silica, refined from sand) is the most common transparent surface used in making mirrors. It is easy to manufacture, can be cut or moulded into many different shapes and thicknesses, and is very hard and durable.

  • Pyrex is glass with an added chemical component - boron - that makes it capable of withstanding high heat (think of your baking dishes). It is used to construct mirrors used for scientific purposes.

  • Reduced-Iron glass can be used to create an "ultra clear" mirrored surface. Most glass has a very slight greenish tinge - this is eliminated when the iron content in the silica is reduced. These mirrors are used when flawless color clarity is required.

  • Concave and convex glass can be used to create magnified or expanded reflective mirrors. Concave mirrors require the glass to be curved inward prior to coating, and are often used in vanity or make up mirrors. Convex mirrors are curved outward, and are used in parking lots to allow drivers to see around corners.

  • Colored glass may also be used in specialty mirrors. When the glass is manufactured from silica, certain substances react within the mixture (or to the addition of heat) to create different colors. For instance, differed copper additives result in red, blue, or green glass, lead in yellow, and nickel in violet.

  • Plastic polymer or acrylic may be used to create mirrors where safety is a concern. While glass shatters when broken, acrylic generally just cracks, and often requires more force to do so. Acrylic is less rigid than glass, it may bow and distort reflections at larger sizes, and it tends to have poorer clarity, but for small items like children's toys or furniture, it can be the ideal material.

Coatings

  • Aluminium is the most common metal used in mirrors today. It has a high level of reflectivity, and is often combined with a layer of silicon monoxide to ensure a scratch-resistant surface. Other coatings may be added to increase reflectivity.

  • Silver was used for most mirrors up to about a century ago. It has excellent reflectivity (98%), but can easily be scratched. Tin (II) chloride is needed when using silver, because the metal will not bond with the glass on its own. While additional layers can protect against damage, it is not recommended for use in areas of high humidity.

  • Gold is used when reflection of infrared light reflection is required (96%). Like aluminium, gold coatings are often protected with silicon monoxide.

  • Dielectric coatings produce extremely reflective mirrors (99.9%). Certain coatings reflect certain wavelengths of light better than others. They are used in the manufacture of technical and scientific mirrors used in beamsplitters, laser cavity end mirrors, and other lasers.

Mirror Thickness

Mirrors are most often available in thicknesses of 1/8" or 1/4". The thicker the glass, the less distortion. Because most walls are not perfectly flat, a thinner mirror will warp slightly to match the shape of the wall, and distort any reflection.

Frameless Mirror Hanging Options

Mirror Clips

Commonly seen in bathrooms and some bedrooms where framed mirrors are less common, mirror clips are screwed into the wall and hold the mirror between the clip and the wall. Depending on the weight and size of the mirror, anchors may need to be installed in the wall prior to attaching the clips.

Once the anchors or holes are prepared, the bottom mirror clips can be screwed into the wall. For larger mirrors, three or more clips may be required at equal intervals along the length of the mirror. Small mirrors generally require only two, each a short distance from the left and right vertical edges.

Once the bottom clips are in place, the mirror is set into the gap between the clip and the wall. The top and side clips can then be installed, holding the frame securely against the wall.

Adhesives

Adhesives specifically designed for hanging mirrors can be purchased at most hardware stores. Once the location of the mirror is marked on the wall, the back of the mirror should be cleaned with a rubbing alcohol to ensure proper adhesion. The adhesive can then be placed along the back of the mirror, near the outer edge but not close enough that it will squeeze out when the mirror is placed on the wall. To help hold the mirror while the adhesive dries, double sided tape can be used.


 MIRROR TREATMENTS
EDGES

A bevelled mirror has angled edges that slope away from the center, creating a multi dimensional, decorative appearance. Often, bevelled mirrors are hung as is, with the bevel in lieu of a frame. Framed bevelled mirrors feature the added detail of the slanted lip just before the frame.

A bevel is made by grinding down the glass along the edges of the mirror. The possible angles are limited only by the thinness of the glass, and the width of the bevelled area varies widely between manufacturers.

Polishing produces a curved edge that removes the sharpness created by the original cut. A polished edge is generally of a matte or satin finish, though gloss - called a high polish edge - is also available.

A clean cut edge refers to the right angle achieved in the original cut. This edge is sharp and such mirrors are generally framed before use.

SCREENPRINT

Both mirrored and transparent glass can be screenprinted. This method creates a design on the surface of the glass in ink, printed with the use of a mesh fabric screen through which the ink is pressed. Screenprinting is a durable technique that can result in a long-lasting decorative piece.

ANTIQUE

Old mirrors have some erosion visible in the surface, which can mar the reflection. In recent years, antiqued mirrors have become statement pieces in home decor. This effect is created essentially by damaging the coated surface on the back of the frame. The protective paint is removed, and an acid is applied which eats away at parts of the silver or aluminium reflective component. The result is a speckled, distressed look with a vintage appeal.

FIRST SURFACE

Also called a Front Surface mirror or FSM, these mirrors have the reflective surface placed on top of the glass, instead of behind it (where it is usually placed so the glass will protect it). These mirrors are created for situations that require a direct reflection. In a standard mirror, if you place something against the glass, there is a visible gap between the item and its reflection. In a first surface mirror, the gap is removed.

Telescopes and periscopes use this type of mirror, as well as other scientific tools. The reflective coating is generally aluminium, instead of silver. Regular mirrors are sometimes referred to as Second Surface mirrors.

SAFETY

In order to prevent breaking, or prevent injury in the case of breakage, some mirrors have an extra film affixed to the back. This film is usually made from polyethylene, and prevents the glass from shattering into such tiny pieces if broken. The glass may also be tempered before the reflective coating is applied, which will cause it to break into small, rounded edge pieces instead of sharp shards.

A bevelled edge mirror
Bevelled edge

Old glass mirrors develop a tarnished, metallic appearance that can be a desirable decoration
Antique mirrored surface

On the left, a regular, second surface mirror reflection. On the right, a first surface mirror reflection
L: Second surface reflection.
R: First surface reflection


 ADVANTAGES OF MIRRORS
Besides the obvious advantage of viewing one's reflection, mirrors serve some very significant purposes within any home or office space.

LIGHT

When placed near a window or interior light, mirrors expand this brightness and project it around the space. This is an excellent option for improving a dim room that has only a small or poorly situated window.

It is best to situate the mirror at an angle to the light source. If it is placed directly across from a bulb or window, it can create too much of a glare, or draw attention to a plain desk light. The exception: if your light source is a special object, such as an antique chandelier, its reflection can enhance and highlight the piece.

SPACE

Because the mirror will reflect whatever is in front of it, when it reflects the floor or a wall, it elongates that area. A large mirror on one wall of a small living room can create the illusion that the room is much larger than its actual square footage.

ENHANCE IMPORTANT ITEMS

Mirrors draw attention to whatever they are pointed at. Like the lighting example above, you do not want to bring the focus to items in your home that you'd rather not be noticed, such as a messy pile of papers or the dog's food dishes. Instead, try to hang mirrors where they will reflect meaningful things, such as artwork, custom furniture, or a display of family photographs.

A mirror reflects light which can brighten a darker room
Light reflected from the window

 DECORATING WITH MIRRORS
A mirror in the bathroom is a practical necessity, but often mirrors are hung or propped in every room. There are many creative ways to display and utilize the unique qualities of mirrors.

THE BATHROOM

A bathroom mirror is a requirement, but that doesn't mean it can't be given an artistic touch. Many do-it-yourself homeowners have taken to framing their mounted bathroom mirror if it is flush against the wall. This creates a fashionable alternative to clear plastic mirror clips, rough or uneven sections, or any chipping along the edge. This technique can be used to hide a bevelled edge, or create one with a reverse slope moulding.

Other decor-savvy individuals have chosen to forgo the traditional counter-wide, single mirror and instead display multiple, framed mirrors. The result is a high style look that is particularly suited to double-sink washrooms.

THE BEDROOM

Feng shui practices, and many interior designers, suggest keeping mirrors out of the bedroom. But if this is unavoidable - your makeup table is in the corner - or undesirable, the primary suggestion is that they not be placed across from the bed, where you see your reflection upon waking.

Above the headboard is a suitable and stylish location. A pair or trio of square mirrors with matching frames can brighten the room without being a constant distraction. Another way to utilize mirrors in the bedroom is with mirrored furniture, which is coming back into vogue. A dresser with mirrored drawers, or a bedside table with a broken mirror mosaic can add a bright touch without always reflecting the unmade bed.

THE KITCHEN

This is another room where mirrors are not generally suggested, but there are always exceptions to the rule. In addition to brightening a poorly lit room, a mirror can look great reflecting a matching set of hanging pots, or over the sink if the window is on the opposite side of the room.

Try a brushed metallic frame moulding or a shiny classic gold to really set off a clean white wall.

As mentioned above, a mirror reflecting the beautiful chandelier in the dining room is an excellent statement piece. Choose a wide, ornate frame that can compete with the large pane of glass, and itself serves as an art piece.

THE FRONT HALL

A mirror is the front hall can bring in light to an often dimly lit area, and provide a welcoming air. Place a mirror with a slim antiqued moulding behind an end table with a plant or vase display.

A long, thin, horizontal mirror is a crisp, modern touch, and can look stunning bordered by a simple white frame, placed to catch the light from the doorway and elongate a narrow hallway.

THE LIVING ROOM

The options for displaying mirrors in the living room are nearly endless, which means it's important not to simply hang a mirror wherever there is an empty space. While multiple mirrors can create a nice effect, the layout should be planned so as not to appear haphazard or excessive.

A large, ornately framed mirror over the couch, mantle, or flanking a centerpiece can add depth, illumination, and class to the sitting room. And don't forget that hanging isn't the only option. Leaning very large, or tall, slim mirrors against the wall gives a natural clean look to any room. Just remember that whatever is reflected in the mirror will instantly be raised to a level of importance within the space.

THE OFFICE

Many office spaces these days have open floorplans and crisp, modern decor. This makes for bright, spacious rooms, but it also results in a lot of walls that need to be filled.

Mirrors can be a great option for reception or waiting rooms, darker offices, or even cubicles. We offer a variety of contemporary mouldings - such as our wide selection of custom black frames that can take a bland, borderless mirror to the next level and create a warm, comfortable atmosphere within your business space.

A framed mirror in the bathroom gives the room a sophisticated style
A modern frame on a bathroom mirror

Reflecting unique and beautiful objects makes draws the focus to these pieces
A creative mirror display


A mirror is a great option for decorating your home or office. In addition to a fine art print or photograph, why not add a touch of shine and light to your walls that serves both a practical and ornamental purpose?

At KeenART Media, we carry a selection of bevelled or clean cut-edge mirrors, as well as a wide array of picture frame mouldings. We can create a mirror that matches your existing decor, or help you select a frame style that will kick off the theme of your whole room.

If you have any questions about our products or services, please don't hesitate to contact us. Our knowledgeable staff are always happy to address your concerns and offer suggestions.

PLEASE NOTE: Mirrors are for pick up only.

 MIRROR FRAMES
The frame you choose for your ornamental mirror should match the style of your existing decor, or the theme you have in mind for an upcoming renovation.

With hundreds of styles ranging from sparse contemporary to ornate antique, KeenART Media has the frame that will complete your vision. Browse our full selection of frame mouldings, or select from the options below, arranged by style and size.

A large, reverse curve profile frame with an intricate leaf design bordered by a geometric outer edge and beaded inner lip.  A dark, matte gold-brown base with gold foil patina for added depth on the topmost points of the design. Strong, solid wood construction.

2.75 " witdth: ideal for large and oversize (extra large) images.
2-3/4" Dark Gold Compo
Face width: 2-3/4"
Height: 1-1/4"
Rabbet: 7/8"
Frame code: GD41
A large, reverse curve profile frame with an intricate leaf design bordered by a geometric outer edge and beaded inner lip.  A matte and gold foil base features bronze patina for added depth on the topmost points of the design. Strong, solid wood construction.

2.75 " width: ideal for large and extra large images.
2-3/4 " Gold Compo
Face width: 2-3/4"
Height: 1-1/4"
Rabbet: 7/8"
Frame code: GD46
This high swan profile wood frame features a reverse slope and 1.5 " maximum depth.  The gentle ridges are encased in glossy silver foil - an elegant but simple design.

2.5 " width: ideal for medium and large images.  Pair with old, grayscale portraits and bold paintings or Giclée prints.
2-1/2 " Contempo Silver Leaf
Face width: 2-1/2"
Height: 1-1/2"
Rabbet: 3/4"
Frame code: GD51
This high swan profile wood frame features a reverse slope and 1.5 " maximum depth.  The gentle ridges are encased in glossy gold foil, and gentle distressing reveals a burnished, deep red undercoat.  It is an elegant but simple design.

2.5 " width: ideal for medium and large images.  Pair with old, grayscale portraits and bold paintings or Giclée prints.
2-1/2 " Gold
Face width: 2-1/2"
Height: 1-1/2"
Rabbet: 3/4"
Frame code: GD52
This high shine, silver foil frame features a thick, smooth profile.  A brushed finish reveals subtle lines and faint black spattering gives an antique look - simple, yet glamorous.  The .75 " drop between the glass and the face creates a striking, shadowed effect.

1.5 " width: ideal for medium- to large-size images.  Select an oil or watercolour painting, print, or abstract photograph.
1-1/2 " Silver Precious Metals
Face width: 1-1/2"
Height: 1-1/2"
Rabbet: 3/4"
Frame code: GC55
Special/Sales Frame 16% off
This high shine, gold foil frame features a thick, smooth profile.  A brushed finish reveals subtle lines and faint black spattering gives an antique look - simple, yet glamorous.  The .75 " drop between the glass and the face creates a striking, shadowed effect.

1.5 " width: ideal for medium- to large-size images.  Select an oil or watercolour painting, print, or abstract photograph.
1-1/2 " Gold Precious Metals
Face width: 1-1/2"
Height: 1-1/2"
Rabbet: 3/4"
Frame code: GC56
This large, reverse scoop profile frame features a textured gold foil over solid wood.  Raised beading adorns the inner lip and a line-dot print runs along the edge.  Various techniques give an antiqued look.

3.875 " width: ideal for large or oversize images.  This striking frame supplies the perfect border for a big oil or watercolour painting or print, or a high fashion photograph.
3-7/8 " Antique Gold Bead
Face width: 3-7/8"
Height: 15/16"
Rabbet: 5/8"
Frame code: GE90
This solid wood frame features a shallow scoop profile and matte black edge.  The smoky sheen of the bronze-brown foil embraces light, drawing it toward the artwork.

3 " width: ideal for large or oversize images.  This heavy frame is the perfect border for a bold watercolour or oil painting, or print.
3 " Mottled Bronze Niebla
Face width: 3"
Height: 1-1/2"
Rabbet: 9/16"
Frame code: GE91
Special/Sales Frame 8% off
This solid wood frame features a shallow scoop profile and matte black edge.  The smoky sheen of the muted silver foil embraces light, drawing it toward the artwork.

3 " width: ideal for large or oversize images.  This heavy frame is the perfect border for a bold watercolour or oil painting, or print.
3 " Mottled Silver Niebla
Face width: 3"
Height: 1-1/2"
Rabbet: 9/16"
Frame code: GE92
This solid wood frame features a shallow scoop profile and matte black edge.  The smoky sheen of the bronze-gold foil embraces light, drawing it toward the artwork.

3 " width: ideal for large or oversize images.  This heavy frame is the perfect border for a bold watercolour or oil painting, or print.
3 " Mottled Gold Niebla
Face width: 3"
Height: 1-1/2"
Rabbet: 9/16"
Frame code: GE93
This highly detailed, solid wood frame features three distinct designs.  The dominant design tops a deep scoop of smooth, brushed gold foil and meets a small detail on the inner lip.  A drop ledge on the outer edge is decorated in a simple dash.  Matte areas within the designs create an antiqued look.

2 " width: ideal for medium- to large-size images. The detailed nature of this frame makes it suitable for bright or busy paintings or photographs.  It may overpower simpler images.
2 " Gold Ornate
Face width: 2"
Height: 1-3/8"
Rabbet: 1/2"
Frame code: GD132
This solid wood frame features a crown moulding profile in a bold, bronze-brushed silver.  The slight distressing on the deeply scooped face and the faint red patina on the delicate inner design give it an antique look that suits old paintings, prints and family photographs alike.

2.5 " width and 1 " high at outer edge: ideal for medium- to large-size images.
2-1/4 " LErmitage Silver
Face width: 2-1/4"
Height: 1-1/8"
Rabbet: 5/16"
Frame code: GD133
This classic, reverse scoop frame is solid wood, and painted a deep matte black.  A stepped inner lip defines the border of the frame.

2.5 " width: ideal for medium or large artwork. This frame will beautifully border a renaissance or impressionism painting or giclee print.
2-1/2 " Matte Black
Face width: 2-1/2"
Height: 1-1/8"
Rabbet: 1/2"
Frame code: GC134
This highly detailed, solid wood frame features three distinct designs.  The dominant design tops a deep scoop of smooth, brushed silver foil and meets a small detail on the inner lip.  A drop ledge on the outer edge is decorated in a simple dash.  Matte areas within the designs create an antiqued look.

2 " width: ideal for medium- to large-size images. The detailed nature of this frame makes it suitable for bright or busy paintings or photographs.  It may overpower simpler images.
2 " Silver Ornate
Face width: 2"
Height: 1-3/8"
Rabbet: 1/2"
Frame code: GD210
This wide frame features a smooth curve with bevelled inner and outer rims. The rich mahogany wash has a wood grain detail, and fades to black at the edges.

3 " width: ideal for large and oversize artwork. Allow the rustic wood face to highlight a bucolic nature painting or photograph, or match the black edges to a contemporary print.
3" Mahogany Color Finish
Face width: 3"
Height: 1-1/8"
Rabbet: 7/16"
Frame code: GD217
Special/Sales Frame 10% off
This wide frame features a smooth curve with bevelled inner and outer rims. The walnut wash has a wood grain detail, and fades to black at the edges.

3 " width: ideal for large and oversize artwork. Allow the rustic wood face to highlight a bucolic nature painting or photograph, or match the black edges to a contemporary print.
3 " Walnut Color Finish
Face width: 3"
Height: 1-1/8"
Rabbet: 7/16"
Frame code: GD218
This ornate, intricate frame features a bold relief design in black-mottled, antique gold foil.  The raised inner lip is a roughly textured, matte gold-brown.

2.75 " width: ideal for large images.  Select a strong piece of artwork to avoid having it overpowered by this decadent frame.
2-3/4 " Gold Leaf Palazzo
Face width: 2-3/4"
Height: 1"
Rabbet: 1/2"
Frame code: GE235
Special/Sales Frame 16% off
This ornate, intricate frame features a bold relief design in a black-mottled antique silver foil. The raised, roughly textured inner lip is silver foil as well.

2.75 " width: ideal for large images.  Select a strong piece of artwork to avoid it being overpowered by this decadent frame.
2-3/4 " Silver/Black Palazzo
Face width: 2-3/4"
Height: 1"
Rabbet: 1/2"
Frame code: GE238
Special/Sales Frame 8% off
This bronze foil frame features a flat, unadorned face and glossy finish.  Heavy burnishing on the surface adds depth and interest to this simple moulding. 

2.25 " width: ideal for large images and equally suited to simple and busy designs.
2 1/4" Metallico Swirl Bronze
Face width: 2-1/4"
Height: 3/4"
Rabbet: 1/2"
Frame code: GE241
Special/Sales Frame 16% off
This gold foil frame features a flat, unadorned face and glossy finish.  Heavy burnishing on the surface adds depth and interest to this simple moulding. 

2.25 " width: ideal for large images and equally suited to simple and busy designs.
2 1/4" Metallico Swirl Gold
Face width: 2-1/4"
Height: 3/4"
Rabbet: 1/2"
Frame code: GE242
This silver foil frame features a flat, unadorned face and glossy finish.  Heavy burnishing on the surface adds depth and interest to this simple moulding. 

2.25 " width: ideal for large images and equally suited to simple and busy designs.
2 1/4" Metallico Swirl Silver
Face width: 2-1/4"
Height: 3/4"
Rabbet: 1/2"
Frame code: GE243
Special/Sales Frame 8% off
This ornate, geometric frame features a horizontal line design across the scooped face, covered in a mottled, matte gold.  Distressing along the insides of the decorative relief creates an antique look.

2.5 " width: ideal for medium to extra large images. Border a big photograph, or classic oil painting or Giclée print with this old fashioned, stylish frame.
2-1/2 " Gold Goya
Face width: 2-1/2"
Height: 1-1/4"
Rabbet: 9/16"
Frame code: GD256
This ornate, geometric frame features a horizontal line design across the scooped face, covered in a mottled, matte siler.  Distressing along the insides of the decorative relief creates an antique look.

2.5 " width: ideal for medium to extra large images. Border a big photograph, or classic oil painting or Giclée print with this old fashioned, stylish frame.
2-1/2 " Silver Goya
Face width: 2-1/2"
Height: 1-1/4"
Rabbet: 9/16"
Frame code: GD257
This solid wood frame features a crown moulding profile in a dark, brushed gold.  The slight distressing on the deeply scooped face and around the delicate inner design give it an antique look that suits old paintings and family portraits alike.

2.25 " width and 1 " high at outer edge: ideal for medium- to large-size images.
2-1/4" LErmitage Gold
Face width: 2-1/4"
Height: 1-1/8"
Rabbet: 5/16"
Frame code: GD291
This simple, reverse scoop frame features a bevelled outer edge smoothly curving inner lip.  The high shine of the black results in a unique, modern flare.

2.5 " width: ideal for medium or large images. Pair with a contemporary painting or Giclée print, or a bold, greyscale photograph.
2-1/2 " Black High Glossy
Face width: 2-1/2"
Height: 1"
Rabbet: 5/8"
Frame code: GD322
Special/Sales Frame 10% off
This classic, Victorian-style frame features a solid wood, reverse scoop profile.  The relief-detailed inner lip and sloped face are a textured gold foil, edged in a subtle bevel.

2 " width: ideal for medium size images. Border an acrylic or oil painting or print with this antiqued, high fashion frame.
2 " Gold classic
Face width: 2"
Height: 1"
Rabbet: 1/2"
Frame code: GD385
Special/Sales Frame 20% off
This large, scoop profile frame features a steep ridge that slopes gently toward the artwork, and steeply away.  The bronzed walnut wash highlights the natural wood grain with glossy golds and matte browns.

3.5 " width: ideal for oversize images. The elegant simplicity of this frame makes it suitable for a wide variety of photographs, paintings and giclee prints.
3-1/2 " Bronze Acid Wash
Face width: 3-1/2"
Height: 1-1/4"
Rabbet: 1/2"
Frame code: GE399
This classic, Victorian-style frame features a solid wood, reverse scoop profile.  The relief-detailed inner lip and sloped face are a mottled bronze foil, edged in a subtle bevel.

2 " width: ideal for medium size images. Border an acrylic or oil painting or print with this antiqued, high fashion frame.
2 " Bronze Classic
Face width: 2"
Height: 1"
Rabbet: 1/2"
Frame code: GD423
This classic, Victorian-style frame features a solid wood, reverse scoop profile.  The relief-detailed inner lip and sloped face are a textured silver foil, edged in a subtle bevel.

2 " width: ideal for medium size images. Border an acrylic or oil painting or print with this antiqued, high fashion frame.
2 " Silver Classic
Face width: 2"
Height: 1"
Rabbet: 1/2"
Frame code: GD424
This simple, bold frame features scoop profile and silver foil face.  The inner lip is stepped down and painted a matte black, to match the outer drop edge.

2.75 " width: ideal for large and extra large artworks. Due to it
2-5/8 " Silver with black lip
Face width: 2-5/8"
Height: 1-1/4"
Rabbet: 5/8"
Frame code: GD425
This simple, bold frame features scoop profile and gently distressed, gold foil face.  The inner lip is stepped down and painted a matte black, to match the outer drop edge.

2.75 " width: ideal for large and extra large artworks. Due to it
2-5/8 " Gold with black lip
Face width: 2-5/8"
Height: 1-1/4"
Rabbet: 5/8"
Frame code: GD427
This high shine, silver foil wood frame features an elegant curve-and-scoop profile that draws the eye inward.  Slight distressing on the inner lip, and dark grey along the stepped ridge add a subtle antique finish.

1.75 " width: suitable for both medium and large images.  A striking border for a black and white photograph, or to highlight a classic painting or Giclée print.
1-3/4 " Silver
Face width: 1-3/4"
Height: 1"
Rabbet: 1/2"
Frame code: GD430
This large, scoop profile frame is coloured a modern matte white.  It features a steep ridge that slopes gently toward the artwork, and steeply away.  

3.5 " width: ideal for oversize images. The elegant simplicity of this frame makes it suitable for a wide variety of photographs, paintings and giclee prints.
3-1/2 " Matte White
Face width: 3-1/2"
Height: 1-1/4"
Rabbet: 3/8"
Frame code: GE453
This slim, ornamented design features bevelled inner and outer edges and a celtic cross pattern in relief  The solid wood frame is covered in a gold foil with a faint brown patina that gives it an antiqued look.

1.25 " width: ideal for smaller artwork.  Photographs, paintings and giclee prints will shine within this detailed frame.
1-1/4 " Gold Cruz
Face width: 1-1/4"
Height: 3/4"
Rabbet: 5/8"
Frame code: GB458
This slim, ornamented design features bevelled inner and outer edges and a celtic cross pattern in relief  The solid wood frame is covered in a gold-brushed silver foil. A faint red patina gives it an antiqued look.

1.25 " width: ideal for smaller artwork.  Photographs, paintings and giclee prints will shine within this detailed frame.
1-1/4 " Silver Cruz
Face width: 1-1/4"
Height: 3/4"
Rabbet: 5/8"
Frame code: GB459
This highly detailed silver leaf frame features a wide, reverse stepped profile with three distinct designs.  A brushed effect reveals a black undercoat and gives the frame an antique appearance.

3 " width: ideal for large and oversize images.  This frame can hold its own against a detailed painting or print, but may overshadow a simpler image.
3 " Ornate Silver Leaf
Face width: 3"
Height: 1"
Rabbet: 5/8"
Frame code: GE464
This highly detailed gold leaf frame features a wide, reverse stepped profile with three distinct designs.  A brushed effect reveals a deep red undercoat and gives the frame an antique appearance.

3 " width: ideal for large and oversize images.  This frame can hold its own against a detailed painting or print, but may overshadow a simpler image.
3 " Ornate Gold Leaf
Face width: 3"
Height: 1"
Rabbet: 5/8"
Frame code: GE465
This slender frame features a scoop profile, bevelled outer edge and beading on the inner lip.  The rich mahogany wash on the face fades to black on both ends.  

1.5 " width: ideal for small or medium size artworks. The unique mix of rustic and contemporary makes this frame a versatile choice.  Pair with a favourite photograph, painting or giclee print.
1-1/2 " Mahogany w/Bead
Face width: 1-1/2"
Height: 1-1/16"
Rabbet: 7/16"
Frame code: GB479
Special/Sales Frame 9% off
This large frame is covered with a deep walnut wash that highlights the natural wood grain for a rustic appearance.

3.125 " width: ideal for large and oversize images. Border a rustic nature photograph, or autumnal painting or print with this simple, bucolic frame.
3-1/8 " Sherwood Walnut
Face width: 3-1/8"
Height: 3/4"
Rabbet: 1/2"
Frame code: GE501
This simple, high-sheen frame features a smooth face of gold-brushed, silver foil finish. Hints of the natural wood grain show through for a delicate, modern take on a basic style.

1.75 " width: ideal for medium and large images.  Border a bold greyscale photograph or acrylic painting or Giclée print in this subtle, contemporary frame.
1-3/4 " Silver
Face width: 1-3/4"
Height: 3/4"
Rabbet: 1/2"
Frame code: GD517
This simple but expressive frame features an organic wood grain face, complete with whorls and shallow ridges. The rich, matte walnut finish highlights the natural texture.

1.75" width: ideal for medium size artworks. The natural simplicity of this countryside frame is the perfect match for nature or farmland photographs or oil paintings.
1 " deep Rustique Walnut Shadow Box
Face width: 1-3/4"
Height: 1-1/2"
Rabbet: 1"
Frame code: GD531
This simple but expressive frame features an organic wood grain face, complete with whorls and shallow ridges. The soft, tan finish has hints of gold that add a worn sheen to the natural texture.

1.75" width: ideal for medium size artworks. The natural simplicity of this countryside frame is the perfect match for nature or farmland photographs or oil paintings.
1 " deep Rustique Tan Shadow Box
Face width: 1-3/4"
Height: 1-1/2"
Rabbet: 1"
Frame code: GD532
Special/Sales Frame 10% off
This simple but expressive frame features an organic wood grain face, complete with whorls and shallow ridges. The dark grey-brown finish is antiqued with touches of light grey that highlight the rustic texture.

1.75" width: ideal for medium size artworks. The natural simplicity of this countryside frame is the perfect match for nature or farmland photographs or oil paintings.
1 " deep Rustique Dark Grey Shadow Box
Face width: 1-3/4"
Height: 1-1/2"
Rabbet: 1"
Frame code: GD534



 Mirrors FAQs:

Q1 : Can I order a custom mirror size not offered on the site?
Q2 : How will I hang my custom framed mirror?
Q3 : How do I pick the best frame for my mirror?
Q4 : I don't live in the Metro Vancouver area. Can you ship my mirror?
Q5 : What sizes of mirrors do you offer?
Q6 : I want a round or oval mirror. Can you help me?
Q7 : What kinds of mirror edges do you offer?
Q8 : How thick are your mirrors?
Q9 : Why do I have to select "fitting" when ordering my framed mirror?
Q10 : Why would I order a bevelled mirror if I am having it framed?
 

Q1 : Can I order a custom mirror size not offered on the site?
At this time, we can only supply the sizes shown on the webpage. However, if you have an unframed rectangular or square mirror of any size, we are more than happy help you complete your decor piece. You can stop by our warehouse to select the perfect frame, then leave the mirror with us for fitting.

Q2 : How will I hang my custom framed mirror?
Your mirror will have any necessary hardware attached when you pick it up, and we will also supply you with whatever hardware you need for your wall. Most mirrors will have hooks affixed to either side, with picture framing wire strung between them. Depending on the size of your mirror, you will receive one or two hooks which can be hammered into the wall. The picture framing wire will be hung on these hooks and your mirror will hang securely on the wall.

Q3 : How do I pick the best frame for my mirror?
The first thing to consider is the existing decor in the room where your mirror will be hung. If you favour stark white walls and geometric furniture, you may want to pair your mirror with a high gloss black reverse scoop frame, or a matte white, sharp angled frame. If your room is classic with warm tones, we have a great selection of Victorian and other metallic-gilded frames that range from a simple curved face to ornate decoration. If you are unsure what frame is best for your mirror, feel free to pop into our store and browse our large selection of frames. Our staff is always happy to offer suggestions and advice about the best frame for your unique decor style.

Q4 : I don't live in the Metro Vancouver area. Can you ship my mirror?
Unfortunately, we do not offer shipping for our mirrors at this time, due to the cost of shipping large items and the fragility of the glass. We are happy to hold onto your mirror for you until your next visit to the city. Alternately, please browse our extensive selection of Picture Frames. We can certainly ship your frame, and you can purchase a mirror locally.

Q5 : What sizes of mirrors do you offer?
We offer mirrors with a 1-1/4" bevelled edge in:
  • 16x20"
  • 20x24"
  • 24x30"
  • 24x36"
  • 32x40"
Our flat, unbevelled mirrors are available in:
  • 32x40"
  • 36x48"
  • 40x60"


Q6 : I want a round or oval mirror. Can you help me?
Because a special kind of frame moulding is needed to create rounded frames, we are unable to accommodate this request. We only offer rectangular mirrors, and can frame any rectangular or square mirror.

Q7 : What kinds of mirror edges do you offer?
We have mirrors with a 1-1/4" bevel, and straight-edged mirrors available in a variety of sizes.

Q8 : How thick are your mirrors?
Our flat, unbevelled mirrors are 1/8" thick. Our bevelled edge mirrors are 1/4" thick.

Q9 : Why do I have to select "fitting" when ordering my framed mirror?
The fitting option is required because all our frames are custom made when you order. This means we must measure the mirror to ensure the frame is exactly the right size (if the mirror measurement is off by even 1/8" the fit can be compromised). Once the frame is constructed, we place the mirror as well as the backing into the frame and secure the backing in place with the appropriate hardware. We also attach hanging hardware to the back of the back of the frame, and supply you with the necessary wall attachments.

Q10 : Why would I order a bevelled mirror if I am having it framed?
About an inch of the bevelled edge will show around the outside of your mirror once it is framed. The bevel creates a nice sparkle on the glass and gives the mirror a finished look that is lacking with a flat mirror.

If you don't find the answer you're looking for here, please contact us.
 
 
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